Moleskine and the London Design Festival have invited over 70 London-based designers to participate in the Moleskine Sketch Relay 2013 (exhibited at the V&A Museum from 14th - 22nd September) that is part of the Moleskine Detour Project. I am proud to be one of them and in this post I want to give you a taster of my contribution and the inspiration behind it, which I hope will entice you to come along to the exhibition to see it all.
Online luxury gift retailer Amara explains the idea behind the Moleskine Sketch Relay so nicely at www.amara.com/luxpad/review/Moleskine-Sketch-Relay (including a lovely youTube video of a previous contribution by fashion illustrator Jason Brooks)that I won't go into detail here.
Just this much: This year the title of the London Design Festival's campaign is 'Design is Here, There and Everywhere' and we, the designers, have been asked to create illustrations around three questions that relate to the campaign.
I have approached the brief using pencil, collage, photographs and prints, inspired by the twentieth century's Pop art movement, which I was researching at the time, as I was also working on my new collection 'Pop Art goes Design' that is launching this week at trade show Maison et Objet in Paris.
The first question was
"...what objects, items, systems, and details could you not live without in your private space or in the public domain?"
My response to it:
I have left a few pages out, including my response to the second question,"what you feel needs improving within your personal or professional life ...", so you will have to visit to see the rest ;-)
... in response to the third question
"what would you like to design that you haven't had the opportunity to design before?"
I reflected on how I could express that I would love to collaborate with architects and designers on the whole space, beyond the everyday items that fill a space, on the 'fabric' that makes up a space ... and came up with this collage,
wanting to suggest an empty interior that I could imagine designing and filling with colour and light, hinting vaguely at objects, personality, print and pattern that are already present and can be included or replaced. I wasn't aware of it at the time, but later realised how strongly my image was inspired by Richard Hamilton's "Interior II":
"It was a film set, not a real room, so wall surfaces were not explicitly conjoined; and the lighting came from several different sources. Since the scale of the room had not become unreasonably enlarged, as one might expect from the use of a wide angle lens, it could be assumed that false perspective had been introduced to counteract its effect yet the foreground remained emphatically close and the recession extreme."
And if - as I hope - this post has got your creative juices flowing, I am happy to say that on Saturday the 14th at Midday, the Victoria and Albert Museum is holding a free public 'Sketchathon' where you can 'drop in and populate the pages of Moleskine notebooks with your sketches, thoughts and doodles, taking design in London as your source of inspiration'.
More on my participation in the London Design Festival to come, so watch this space.